Stil/Moving is the larger framework for much of my work. The slash functions as both division and connection, and visually completes the missing “l” in Still. The phrase reflects a question I return to repeatedly: how does photography represent time, and how fixed is a photographic moment in the first place?

Across several bodies of work, movement, duration, light, water, and chance destabilize what the camera records. Figures shift between clarity and abstraction, stillness and motion, presence and disappearance. I establish the circumstances carefully, then allow unpredictable elements to help determine the image.